A new video from the National Geographic Channel, provided exclusively to Space.com, shows musicians virtually coming together in their bedrooms, on couches and in tiny recording studios to produce the stirring soundtrack behind the new “The Real Right Stuff” documentary, which is streaming on Disney Plus. The documentary is a companion to the dramatized series “The Right Stuff,” which aired its first season finale Friday (Nov. 20).dramatized
The soundtrack was composed by James Everingham and produced by Hans Zimmer and Russell Emanuel, but it is the individual musicians you get to see in the video — each focused intensely on their scoresheet, working to keep in sync even though their colleagues are far away.
Related: These astronauts read ‘The Right Stuff’ and flew in space
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“The Right Stuff” is based upon the 1979 book by Tom Wolfe; older readers may also remember a 1983 movie adaptation of the book. Wolfe explored NASA’s early Mercury space program, when test pilots were called upon to take their derring-do into space as the United States engaged in technological competition with the Soviet Union. “The Real Right Stuff” is a companion documentary that debuted Friday to chronicle the real-life bravery, innovation and grit behind the early days of spaceflight.
No one working in space in the early 1960s could have known how poignant the theme of working in isolation could be in 2020, with billions of workers worldwide isolating partially or completely at home, often connected by little more than video conferencing tools.
“I sensed that in Alan Shepard’s flight, that as it [launch countdown] got down close to zero, that the engineers were so worked up,” Wolfe said, adding, “Each one feared that his system would be the one to cause a catastrophe.”
Then the video cuts again to the musicians, each one concentrating to stay in tune so as not to derail the soundtrack. For a tense few minutes, you watch them — as you also watch archival footage of Shepard’s Mercury-Redstone climbing into space on May 5, 1961, nearly 60 years ago.
At last, Shepard reaches space. He breaks from technical conversation to look at Earth, rendered in black and white through his spacecraft periscope. “What a beautiful view,” he says.
Gradually, the individual musicians finish their work and their images cut to black. The soundtrack video concludes with a single sound engineer looking at a computer screen, working with a keyboard and music levels in front of him. Another launch, and another musical piece, is complete.
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